Courtesy of

Bearsuit’s Myspace

At first listen, the British indie sextet Bearsuit sounds like a cacophonous mess. There are electronic beeps, synthesizers, guitars, trumpets, accordions, strings, flutes and clips of spoken word all jumbled into the songs on its 2007 release oh:io. But engaging in a more careful listen of the album sheds light on the fact that the electronic beats seem to line up with the guitars and percussion and the flutes, strings and accordions complement the vocals. Even the spoken word samples seem to fit in the right place.

The track “Foxy Boxer” relies heavily on electronic sounds for percussion but avoids the migraine-inducing thumping beat of a techno song. Functionally, the electronic beeps hit the notes that the guitar in the song wavers between, accenting the high and low notes. The lo-fi distant quality of the male and female singer’s voices on the track create a unique ethereal quality that gives the song an otherworldly and almost spooky sound.

On the single “Steven F—king Spielberg” orchestral strings and cymbal crashes cue in the drums and flute that set the lightning-fast pace of the song. During the first verse the strings thrash violently as the flute glissandos above and below competing for attention. The soft ghostly voices of the singers are pushed almost to the background. In one verse the flute moves with such speed and vigor to rival Rimsky-Korsakov’s “Flight of the Bumble-bee.”

Throughout their third album, oh:io:, Bearsuit creates a pleasant and interesting organized mess. Listening to the album is kind of like being in an actual Bearsuit. It’s a little uncomfortable, but you can have a lot of fun with it.

—By Entertainment Blog Editor Alex Blum


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