Courtesy of The Bird and the Bee
In The Bird and the Bee’s “Polite Dance Song,” the opening track of its 2007 EP, Please Clap Your Hands, Inara George sings “I try to be as coy as I can / But I wanna see your naughty bit / Would you be nasty with me?” Though most of the synth-pop duo’s songs are not quite so risqué, they do share a playful mischievousness that is invigorating.
Indeed, the band started as a playful experiment when, as members Inara George and Greg Kurstin describe on their MySpace page, they “met a few years ago, discovered a common love of jazz standards … nerded out for a couple hours playing every song they knew … and then wrote a record together.”
Kurstin brings a tremendous amount of musical nerdiness and skill to the table. Having written or produced tracks for the likes of Sia, Lilly Allen, Beck and even Britney Spears’ recent come-back effort, Circus, he has a wealth of musical experience that he employs in the masterful musical arrangements of The Bird and the Bee.
On “Polite Dance Song” Kurstin drops a funky, laconically sliding hip-hop beat that introduces George who sings with a with a slow rhythmic flow. The soprano’s upper-register rapping feels both ironic and refreshing.
They do this again in the track “F–king Boyfriend,” where Kurstin mixes frenetic electronic beeps and chimes with jaunty dance beats and synths that glissando kaleidoscopically through the song. In this song about an impatient lover, it sounds as if George stifles a laugh as she sings, “Would you ever be my, would you be my f–king boyfriend”
The key to the success of Kurstin and George is that they don’t take themselves too seriously, experimenting with different musical styles while still keeping their music consistently light and lively. They pepper mischievous humor onto every track, creating music that is perfect for celebrating the closing hours of a week dedicated to Dooley, the Lord of Misrule.
—By Blog Editor Alex Blum