We live in a strange time. Whereas a performer once had to have actual talent in order to make a great album, the advent of Pro Tools and other computer programs of that nature have allowed even the worst of bands to sound surprisingly decent. Upon hearing what they perceive as a great new band, music fans must question whether it is the band’s skills or the technology that define the sound. Oftentimes, you can never aptly discern a band’s skills until you see the band live. Even then, however, it’s sometimes hard to know for sure.
Among the throngs of up-and-coming bands with songs and production as sterile and clean as a hospital room, The Heavy is a welcome shot in the arm.
Hailing from the small hamlet of Noid, England (a make-believe location as far as I know), The Heavy attack their listeners with a unique combination of soul, funk, rock, reggae and punk (sometimes within the same song). Founded by Kelvin Swaby (vocals) and Daniel “Dan T.” Taylor (guitar), their 2009 album The House That Dirt Built offers a raw and rollicking journey through the band’s unique sound. Sharp guitar riffs and Stax-era horns propel the dynamic single “How You Like Me Now.” With a voice drenched in rock-star confidence, Swaby coos “I’ve been a bad, bad man” with a lilt that suggests we should have no reason to think otherwise.
“Cause For Alarm,” meanwhile, has the band stripping down and strutting around their reggae skills with Swaby adopting the necessary cadences and reverb. “Oh No! Not You Again” screams with the urgency and fervor of a traditional blues song filtered through a punk mentality. Likewise, the soulful “That Kind of Man” and funky “Coleen” sounds like something straight out of a cool 1970s blaxploitation film.
Banishing polish in favor of grit, The Heavy more than proves their namesake. If such an unconventional band can teach us anything, it is this: if you want to make great music, you got to get a bit dirty sometimes.
—By Entertainment Editor Mark Rozeman